Gilderoy (Toby Jones), a reserved and modest British sound engineer, is hired by Italian schlock director Santini (Antonio Mancino) to score his latest film, slyly titled The Equestrian Vortex. Upon his arrival, he’s immediately intimidated by the Italians and baffled as to their unique approach to a variety of things, particularly the tools they use to create the film’s score and the lack of interest they have in reimbursing his travel expenses. As he attempts to put cultural Continue reading “EIFF 2012 Review: Berberian Sound Studio (2012)”
Empty Screens 