Craig Zobel’s sophomore feature Compliance, based on the alarming reality of victimising prank calls, has built up a significant reputation since debuting at the Sundance Film Festival last year, not least due to its hard-hitting subject-matter and the significant protests that have befallen it; there were various reports of walk-outs and complaints were reported at screenings in the US. Continue reading “GFF 2013 Review: Compliance (2013)”
Empty Screens 