Keen to capitalise on the overwhelming success of Asif Kapadia’s sensational documentary Senna, director Ron Howard, whose responsible for some of Hollywood’s biggest commercial successes, reteams with Frost/Nixon screenwriter Peter Morgan for Rush. What could have been a compelling character expose set in and around the high-octane world of Formula One is, in the end, disappointingly bloated and mild on dramatic thrills. Continue reading “Review: Rush (2013)”
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