Noah Baumbach and rising indie star Greta Gerwig combine their talented forces once more after the well-received Greenberg for Frances Ha, a thoughtful, witty and nostalgic portrait of twenty-something discontent. Filmed in black and white at the directors discretion and blending the old with the new, Frances Ha emerges as a true winner and Baumbach’s best in years. Continue reading “EIFF 2013 Review: Frances Ha (2012)”
Empty Screens 