For the fifth year in a row, I made my way to the Edinburgh International Film Festival, armed with my press pass and a hunger to see what this year’s crop of films had to offer. And, all in all, it was a strong year. There were many highlights, including Inside Out, which restored the festivals long-standing relationship with Pixar, and 45 Years, writer-director Andrew Haigh’s follow-up to Weekend. Continue reading “69th Edinburgh International Film Festival Wrap-Up”
Empty Screens 