Le Week-End marks somewhat of a return to smarts for director Roger Michell. After helming two disappointments in a row (the mildly entertaining Morning Glory and the dreary Hyde Park On Hudson), Michell reteams with regular screenwriter and friend Hanif Kureishi for their third feature collaboration and an altogether richer affair. Together, they’ve carved a resonant, heartfelt and adult drama that’s exponentially superior to Michell’s aforementioned missteps. Continue reading “Review: Le Week-End (2013)”
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