Renowned world over by critics and audiences alike for his Vengeance trilogy (Sympathy For Mr. Vengeance, Oldboy and Sympathy For Lady Vengeance), Korean director Park Chan-Wook makes his English language debut with Stoker, a brooding psychological thriller rooted deep in the gothic. It’s written by Prison Break alum Wentworth Miller and boasts many of its directors trademarks: ravishing visuals, strong performances and a deluge of tainted motifs. Continue reading “Review: Stoker (2013)”
Empty Screens 