The Family hails from Nikita and Léon writer, director and producer extraordinaire Luc Besson. But, while it’s decently made and contains an assortment of stout performances from a host of competent actors, it never reaches the heights it so ambitiously aims for, and will undoubtedly leave a sense of utter – and entirely valid – amazement as to how it’s possible for so much to go so drastically wrong when so many talented individuals are involved lingering in the air long after the end credits roll. Continue reading “Review: The Family (2013)”
Empty Screens 