After briefly sidestepping into more artsy territory with the widely panned Anonymous, Roland Emmerich comes back full force with White House Down, an over-the-top explosion-fest that flopped spectacularly upon its release in America. It’s dumb and predictable, sure, but unlike Olympus Has Fallen, this year’s other White House-set Die Hard parody, White House Down embraces its ridiculousness – a feat that mostly works in its favour. Continue reading “Review: White House Down (2013)”
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