Since its conception in 1981, Sundance has been the launchpad for many of the best independent films. Luckily for Sean Durkin, writer and director of last year’s festival stand-out Martha Marcy May Marlene, he found himself in pole position when his psychological thriller about one woman’s escape from a commune became the talk of Salt Lake City.
Told through parallel, non-linear narratives that represent its central character’s rapidly deteriorating mindset, Martha Marcy May Marlene tells of Continue reading “Review: Martha Marcy May Marlene (2011)”
Empty Screens 