Nine years after the release of Sin City, directors Robert Rodriquez and Frank Miller (who also wrote the script) reunite for Sin City: A Dame To Kill For, a sequel that visually intoxicating, yet dimly vacant on the inside. Unraveling over four vignettes (two that have been ripped from Miller’s source material, and two that have been written specifically), the film adopts the same template as its predecessor, but fails to fix any of the problems. Continue reading “Review: Sin City: A Dame To Kill For (2014)”
Empty Screens 