British-born writer and director Eran Creevy broke onto the scene with the BAFTA-nominated crime thriller Shifty. His follow-up Welcome To The Punch, however, provides him with a better canvass to showcase his skills and, despite an overriding sense that style has been favoured over substance, proves to be a decent success, particularly in showing how much can be achieved on a slim budget. Continue reading “Review: Welcome To The Punch (2013)”
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