Last year’s Edinburgh International Film Festival was, for all intents and purposes, a complete shambles. Festival director James Mullighan was roped in at the last minute when the search to replace Hannah McGill went sour and the festival had a distinct lack of energy compared to previous years. Whether that was down to the poorly run press department, absurd choice of venues or Mullighan himself is anyone’s guess.
This year, however, things seem to be looking up for the world’s oldest continually running film festival. Not to sound too optimistic or anything but, Continue reading “EIFF 2012: My Ten Picks”
Empty Screens 