Sam (Craig Roberts) is a wannabe businessman who’s found himself stuck as a bellboy for the Mandarin Oriental and its authoritarian, indifferent manager, when all he really wants is to open a restaurant with his best friend Elliot (Anthony Welsh). When on an errand to a local jewellery store, Sam finds himself caught up in a hostage situation by robbers Cameron (Kevin McKidd) and Clegg (Josef Altin). With the aid of store owner, Charlie (Timothy Spall), and his Continue reading “Review: Comes A Bright Day (2012)”
In light of my recent post where I strategically picked out ten films that could be included in this year’s 66th Edinburgh International Film Festival, I’ve expanded it to include another forty films I would like to see hit the cinema screens in Edinburgh between June 20 – July 1.
From Steven Soderbergh’s Magic Mike to Josh Radnor’s Liberal Arts and Stephen Elliot’s Cherry, this list is purely a dream of mine and by no means Continue reading “EIFF 2012: My Fifty Film Wish List”
Last year’s Edinburgh International Film Festival was, for all intents and purposes, a complete shambles. Festival director James Mullighan was roped in at the last minute when the search to replace Hannah McGill went sour and the festival had a distinct lack of energy compared to previous years. Whether that was down to the poorly run press department, absurd choice of venues or Mullighan himself is anyone’s guess.
This year, however, things seem to be looking up for the world’s oldest continually running film festival. Not to sound too optimistic or anything but, Continue reading “EIFF 2012: My Ten Picks”