Film Diary: February 2018

What a month. Not only did I, Tonya prove The Skeleton Twins’ Craig Gillespie to be more than a one hit wonder, but Black Panther delivered – and then went on to make a billion for Disney and set tongues wagging about a potential Best Picture nomination come February next year. But first, let’s rewind to the start.

The fourth entry in the Insidious franchise, The Last Key, rested solely on Lin Shaye’s shoulders, while attempting to tie the backstory of her life with the sinister events that impacted the Lambert family from the first two films. I love Shaye and her role as parapsychologist Elise, but this series has run its course by a long mile. Continue reading “Film Diary: February 2018”

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Film Diary: January 2018

The month kicked off as any year usually does, with a handful of potential Oscar nominees finally hitting UK cinemas after their festival debuts the year before. Darkest Hour featured a blistering performance from Gary Oldman, though little else. Joe Wright’s drama about Churchill in the lead up to Dunkirk rested on the talents of its lead, who mostly kept things afloat even when the script faltered. As someone who disliked Pan, but loved Atonement, I’m also searching for a Wright film to match up to that. This isn’t it, though it can still be admired for what it is. Continue reading “Film Diary: January 2018”