What a month. Not only did I, Tonya prove The Skeleton Twins’ Craig Gillespie to be more than a one hit wonder, but Black Panther delivered – and then went on to make a billion for Disney and set tongues wagging about a potential Best Picture nomination come February next year. But first, let’s rewind to the start.
The fourth entry in the Insidious franchise, The Last Key, rested solely on Lin Shaye’s shoulders, while attempting to tie the backstory of her life with the sinister events that impacted the Lambert family from the first two films. I love Shaye and her role as parapsychologist Elise, but this series has run its course by a long mile. Continue reading “Film Diary: February 2018”
Empty Screens 