Chilean writer and director Pablo Larraín’s thought-provoking and captivating No, which is loosely based on an unpublished play written by Antonio Skármeta, focuses on the media campaign that played a significant part in military dictator Augusto Pinochet’s downfall from Chilean rulership. It sharply brings to a close Larraín’s trilogy of Pinochet-centric films, which also includes Tony Manero and Post Mortem. Continue reading “Review: No (2013)”
Empty Screens 