In a welcome change of direction, Tim Burton downplays his typically outlandish style for Big Eyes, a sunny and well mounted, yet disappointingly thin 1960s biopic. Wannabe artist Margaret Keane (Amy Adams) up sticks and moves to San Fransisco, where she soon falls for Walter (Christoph Waltz). But when Walter starts to pass off her paintings as his own, making thousands in the process, things soon turn sour. Continue reading “Review: Big Eyes (2014)”
Jason Bateman, Charlie Day and Jason Sudeikis reunite for Horrible Bosses 2, a predictably bland and entirely unnecessary sequel to the 2011 comedy. While that film suceeded in at least aprtially delivering on its amusing premise, its follow-up does not. Fed up of being used and abused by their employers, Nick (Bateman), Kurt (Sudeikis) and Dale (Day) start their own business. But when their first product is stolen by investor Bert Hanson (Christoph Waltz), they concoct a plan to kidnap his son and ransom him back for the lost money. Continue reading “Review: Horrible Bosses 2 (2014)”
Five year’s since the release of The Imaginarium Of Doctor Parnassus, Terry Gilliam returns with the intriguing, yet much too scattered sci-fi fantasy The Zero Theorem. Set in a dystopian, tech-obsessed future, it starts well and boasts a strong performance by Christoph Waltz as computer hacker Qohen Leth, who loathes the chaotic environment of ManCom and so is relieved when Management (Matt Damon) assigns him to a different task: determining the Zero Theorem. Continue reading “Review: The Zero Theorem (2014)”
Writer and director Quentin Tarantino enters new territory with Django Unchained, a part exploitation, part Spaghetti Western romp about slavery in the antebellum South. That’s not to say that Django Unchained is any less a Tarantino film than, say, Kill Bill or Pulp Fiction were, as it includes many of his memorable traits (explicit violence and quick-cut editing) and boasts a revenge motif as intrinsic to the narrative as any other. Continue reading “Review: Django Unchained (2013)”
Featuring four very different characters cooped up together in a New York City apartment, Carnage – Roman Polanski’s take on Yasmina Reza’s Olivier award-winning stage play – is every bit as claustrophobic, caustic and darkly amusing as you’d expect. It also marks somewhat of a departure for Polanski, being very much the antithesis of his previous effort, The Ghost.
Forced together by their respective children’s playground scrap, two sets of parents, Michael and Penelope (John C. Reilly and Jodie Foster) and Alan and Continue reading “Review: Carnage (2011)”
The Three Musketeers is an altogether cumbersome modern-day interpretation of Alexandre Dumas’ novel of the same name engineered by director Paul W.S. Anderson.
D’Artagnan (Logan Lerman), an implusive young adventurer, travels to Paris where he joins forces with the renowned Three Musketeers – Athos (Matthew Macfadyen), Aramis (Luke Evans) and Porthos (Ray Stevenson) – to prevent a deplorable cardinal (Christoph Waltz) and his enticing spy (Milla Continue reading “Review: The Three Musketeers (2011)”