2012 Jameson Empire Awards: Winners

The winners of the 2012 Jameson Empire Awards were announced this evening at a lavish ceremony held within London’s Grosvenor House Hotel.

Now in their seventeenth year, the awards recognise the the excellence of professionals in the local and global film industry, and were voted for by readers of Britain’s biggest film magazine.

Tinker Tailor Soldier Spy emerged the night’s biggest winner, bagging a total of Continue reading “2012 Jameson Empire Awards: Winners”

Jameson Empire Awards 2012: Nominations

The nominees for the 2012 Jameson Empire Awards were revealed earlier today on Empire’s official website.

The awards, now in their seventeenth year, aim to recognize excellence of professionals in the local and global film industry, and are voted for by readers of Britain’s biggest film magazine (vote here).

The Girl With The Dragon Tattoo, Attack The Block, Rise Of The Planet Of The Apes and Tinker Tailor Soldier Spy lead the way with four nominations apiece Continue reading “Jameson Empire Awards 2012: Nominations”

London Critics’ Circle Film Awards 2012: Winners

Actors, actresses, critics and industry types gathered at the BFI Southbank, London earlier this evening to reveal the 32nd annual London Critics’ Circle Film Award winners.

Emerging on top were The Artist, which scooped three awards; A Separation, which won two prizes; and We Need To Talk About Kevin, which – deservedly so – won British Film Of Year .

Anna Paquin (!!!) tied with Meryl Streep for Actress Of The Year, while Olivia Continue reading “London Critics’ Circle Film Awards 2012: Winners”

DVD Releases: August 29, 2011

Hanna (Review)

Director: Joe Wright

Starring: Saoirse Ronan, Cate Blanchett and Eric Bana Continue reading “DVD Releases: August 29, 2011”

UK Box Office – May 13 – 15, 2011

1. Thor – £1,360,418

2. Fast Five – £1,155,540

3. Attack The Block – £1,133,859

4. Insidious – £963,963

5. Hanna – £821,081

6. Water for Elephants – £695,631

7. Rio – £592,142

8. Something Borrowed – £489,848

9. Priest – £202,483

10. Arthur – £151,755

UK Box Office: May 6 – 8, 2011

1. Thor – £1,946,695

2. Fast Five – £1,608,463

3. Insidious – £1,315,358

4. Water for Elephants – £1,270,483

5. Hanna – £1,135,782

6. Something Borrowed – £707,863

7. Rio – £702,493

8. Priest – £396,038

9. Arthur – £309,683

10. Hop – £214,364

Review: Hanna (2011)

Hanna (Saoirse Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a soldier; these come from being raised by her father (Eric Bana), an ex-CIA operative. Living a life unlike any normal teenager, her upbringing and training have all geared towards making her the ideal assassin.

The turning point in her adolescence is unquestionably acute: sent into the world by her father on a mission, Hanna journeys covertly across Europe while deceiving agents sent after her by a adamant intelligence officer (Cate Blanchett). As she closes in on her ultimate target, Hanna faces terrifying revelations about her existence.

Hanna is a cross between fantastical fairytale odyssey – with multiple references being made to The Brothers Grimm – and an action-thriller in the vein of Bond or Bourne. It’s an amalgamation that sounds like it shouldn’t work, but thanks to an on-form Joe Wright (who surprisingly doesn’t look out of his comfort zone), it holds together brilliantly.

Ronan delivers yet another exceptional performance as Hanna, and admirably proves herself to be the most versatile actress of her age-range. She’s entirely believable as both an assassin and as a vulnerable, innocent young girl facing the harsh truths of reality for the very first time. Not only does Ronan kicks ass in her fervid action scenes, but she also captures the vulnerable side beautifully, which is wonderfully represented in the sweet yet irresolute relationship she strikes up with a vacationing family.

Blanchett is equally impressive as Ronan. She plays the ruthless CIA agent Marissa Wiegler with an astonishingly cold, suitably heartless zeal. It’s a real thrill to see her inhabit a supporting role so assuredly. Bana, on the other hand, brings humility to what is essentially a harsh and coercive character, but it isn’t enough to make Erik feel as essential to the narrative as he should.

Jessica Barden, as Ronan’s unlikely friend Sophie, injects a much-needed touch of humour and candor, showing exactly how naive people can be when they’re oblivious to the horrors of the world. Olivia Williams pops up as Sophie’s mother, and shares a delightfully testy exchange with Blanchett’s Marissa.

The plot does contain a few pitfalls, inconsistencies and hokum analogies, but they never become too much of an issue. The relentless pace, subtly witty dialogue and surefire levelheadedness that never takes itself too seriously let the viewers choose whether or not to dig deeper, and it is this that helps skip swiftly over the flaws.

Wright’s direction is utterly dazzling. He finds the right balance over a range of camera angles: from the sweeping long shot to intense, hand-held photography, blending the visceral action with the in-depth character-based drama.

By indulging in consistently sharp and comic-book like editing, Wright is able to enhance the velocity of the action and tenacious mood of the film, intercutting it with bewitching scenery shots.

Along with cinematographer Alwin H. Kuchler, he also uses some very unique set pieces to stage the films penetrating action sequences, including sewers, underground bunkers, and an abandoned amusement park. This works a treat as it makes the film feel more pragmatic, rather than something too science-fiction. In addition, by using off-key lighting and wondrous editing techniques, the fantastical feel is left to flourish, but in a way that maintains the mystery and element of intrigue.

The Chemical Brothers’ score brings all the incredible elements together magnificently, strikingly capturing the stamina, acuity and ruthlessness of the piece as a whole.

Hanna is a superb adrenaline-fuelled action-thriller come fantasy tale, with assured direction, solid acting, stylish cinematography and a blistering score to boot.

Cinema Releases: May 6, 2011


Director: Joe Wright

Starring: Saoirse Ronan, Cate Blanchett and Eric Bana


Director: Scott Stewart

Starring: Paul Bettany, Karl Urban and Lily Collins

Something Borrowed

Director: Luke Greenfield

Starring: Ginnifer Goodwin, Kate Hudson and Colin Egglesfield

13 Assassins

Director: Takashi Miike

Starring: Kôji Yakusho, Takayuki Yamada and Yûsuke Iseya

My Dog Tulip

Director: Paul Fierlinger and Sandra Fierlinger

Starring: Christopher Plummer, Lynn Redgrave and Isabella Rossellini

Outside The Law

Director: Rachid Bouchareb

Starring: Jamel Debbouze, Roschdy Zem and Sami Bouajila

Everywhere & Nowhere

Director: Menhaj Huda

Starring: James Floyd, Adam Deacon , Alyy Khan

US Box Office: April 22 – 24, 2011

1. Rio – $26.8M

2. Tyler Perry’s Medea’s Big Happy Family – $25.7M

3. Water For Elephants – $17.5M

4. Hop – $12.4M

5. Scream 4 – $7.1M

6. African Cats – $6.4M

7. Soul Surfer – $5.6M

8. Insidious – $5.3M

9. Hanna – $5.2M

10. Source Code – $5M

US Box Office: April 15 – 17, 2011

1. Rio – $40M

2. Scream 4 – $19.2M

3. Hop – $11.1M

4. Hanna – $7.3M

5. Soul Surfer – $7.2M

6. Arthur – $6.9M

7. Insidious – $6.8M

8. Source Code – $6.3M

9. The Conspirator – $3.9M

10. Your Highness – $3.8M