US Box Office: May 20 – 22, 2011

1. Pirates Of The Caribbean: On Stranger Tides – $90.1M

2. Bridesmaids – $21.1M

3. Thor – £15.5M

4. Fast Five – $10.6M

5. Rio – $4.7M

6. Priest – $4.6M

7. Jumping The Broom – $3.7M

8. Something Borrowed – $3.4M

9. Water For Elephants – $2.1M

10. Tyler Perry’s Madea’s Big Happy Family – $1M

Review: Win Win (2011)

From the studio that brought us awards darling Little Miss Sunshine comes an offbeat sports comedy-drama from upcoming writer/director Thomas McCarthy, starring Paul Giamatti, Amy Ryan and newcomer Alex Shaffer.

The film centers on Mike Flaherty (Giamatti), a disheartened attorney and high school wrestling coach, who stumbles across a star athlete (Shaffer) through some questionable business dealings while trying to support his family. Just as it looks like he will get a double payday, the boy’s mother (Melanie Lynskey) shows up fresh from rehab and flat broke, threatening to derail everything.

McCarthy specialises in light humanism: storytelling that features ordinary people facing their relatable existences with an honest realism and finesse that is all too relatable. Win Win is no exception, and it exemplifies this in an extremely dignified and absorbing way, which should – at last – propel McCarthy into the mainstream.

His self-penned screenplay is full of warmth, fully realised characters, witty scenarios and bag fulls of humour – proving that dramedies needn’t have overblown set-pieces or self-conscious scrutiny to have a long-lasting, appeasing affect on their viewers. Even though the narrative splits off in several directions, Mike’s inner-turmoil and devotion to his family and friends remains at the forefront.

Furthermore, the direction is breezy, never overly infringing upon the drama. It perfectly compliments the material, as it lets the characters’ respective predicaments and the astutely criss-cross narrative breathe in a naturalistic and sensible way.

The triumph, however, lies in the casting. Giamatti delivers a wholly warm, genteel and august performance as the emotionally thwarted Matt, which is complimented extraordinarily by Amy Ryan as his benevolent yet overly vigilant wife Jackie.

Both are shamefully underrated actors, and their flawless paring alone – one that effuses a sense of easiness that’s so rarely captured by on-screen couples – undeniably affirms them as strong-willed and vital actors.

The supporting cast, including a pitch-perfect Jeffrey Tambor as Mike’s life-long friend Terry and a note-worthy Lynskey as Kyle’s off the rails mother, hold their own tremendously against the compelling duo.

When it comes to it, though, the real star is newcomer Shaffer. Plucked from obscurity for his naturalistic skill in the wrestling ring, Shaffer delivers a fantastic debut performance as Kyle, owning his scenes in a way that stays with you long after the credits roll. His chemistry with Giamatti glows with warmth and adoration, making their father and son-like dynamic radiate.

Win Win is both a richly engaging and wittily observed human affair that offers consistent offbeat humour, endearing performances and amiable direction.

Cinema Releases: May 20, 2011

Blitz

Director: Elliott Lester

Starring: Jason Statham, Paddy Considine and Aidan Gillen

Win Win

Director: Thomas McCarthy

Starring: Paul Giamatti, Amy Ryan and Jeffrey Tambor

Julia’s Eyes

Director: Guillem Morales

Starring: Belén Rueda, Lluís Homar and Pablo Derqui

Third Star

Director: Hattie Dalton

Starring: Hugh Bonneville, Tom Burke and Benedict Cumberbatch

Age Of Heroes

Director: Adrian Vitoria

Starring: Sean Bean, Danny Dyer and Izabella Miko

Fire In Babylon

Director: Stevan Riley

Starring: Ian Botham, Colin Croft and Jeffery Dujon

UK Box Office – May 13 – 15, 2011

1. Thor – £1,360,418

2. Fast Five – £1,155,540

3. Attack The Block – £1,133,859

4. Insidious – £963,963

5. Hanna – £821,081

6. Water for Elephants – £695,631

7. Rio – £592,142

8. Something Borrowed – £489,848

9. Priest – £202,483

10. Arthur – £151,755

Cinema Releases: May 18, 2011

Pirates Of The Caribbean: On Stranger Tides

Director: Rob Marshall

Starring: Johnny Depp, Penélope Cruz and Geoffrey Rush

DVD Releases: May 16, 2011

Black Swan

Director: Darren Aronofsky

Starring: Natalie Portman, Mila Kunis and Vincent Cassel

The Next Three Days

Director: Paul Haggis

Starring: Russell Crowe, Elizabeth Banks and Liam Neeson

Gulliver’s Travels

Director: Rob Letterman

Starring: Jack Black, Jason Segel and Emily Blunt

Biutiful

Director: Alejandro González Iñárritu

Starring: Javier Bardem, Maricel Álvarez and Hanaa Bouchaib

Benda Bilili

Director: Renaud Barret and Florent de La Tullaye

Starring: Maria Barli Djongo, Renaud Barret and Cubain Kabeya

US Box Office: May 13 – 15, 2011

1. Thor – $34.7M

2. Bridesmaids – $26.2M

3. Fast Five – $20.4M

4. Priest – $14.9M

5. Rio – $8.2M

6. Jumping The Broom – $7M

7. Something Borrowed – $6.8M

8. Water For Elephants – $4.2M

9. Tyler Perry’s Madea’s Big Happy Family – $2.2M

10. Soul Surfer – $1.8M

Review: My Dog Tulip (2009)

My Dog Tulip is based on the 1956 book of the same name by acclaimed author J. R. Ackerley, and tells the story of an elderly bachelor’s bittersweet relationship with his German shepherd.

The narrative both humorously and touchingly details the life that Ackerley and Tulip have shared – from her disdain of social interactions to his persistence in finding her a partner to breed with. It’s both charming and wholly matter of fact about the pair’s relationship, refusing to anthropomorphise Tulip in the way that has become all too fashionable recently. This ensures that their bond is always at the centre of the film, and keeps it feeling very authentic.

Paul and Sandra Pierlinger’s animation, done entirely on a tablet device, has a hand-drawn, rustic quality that exudes charm and love throughout. By keeping the animation minimal and sketch-like, the film represents Ackerley’s writing and temperamental thought process to wondrous avail. The mix between colourful scenes and black and white interludes is beautifully realised, visually separating the past from the present.

Christopher Plummer’s soothing and relaxing narration compliments the daydream-style animation perfectly. He nails the world-weary and lonesome nature of Ackerley, whose relationship with Tulip provides his only sense of life and love. Lynn Redgrave, who plays the meddling sister, also provides excellent voice work, though her contribution is disappointingly small.

If there’s a criticism to be noted, it’s that the film feel over-stretched at its 83 minute running time. If only the filmmakers had condensed the narrative to fit a 20 minute short, and perhaps avoided focusing the majority of the narrative on Tulip’s sexual frustrations, then it could have been quite extraordinary.

Still, these are minor disappointments, and My Dog Tulip is a marvellously animated and affably observed portrait of the devotion between one man and his dog – something that has been shamefully belittled in the past. It’s a film that deserves to be commended for it’s courageousness.

Cinema Releases: May 13, 2011

Take Me Home Tonight

Director: Michael Dowse

Starring: Topher Grace, Anna Faris and Dan Fogler

Red Hill

Director: Patrick Hughes

Starring: Ryan Kwanten, Steve Bisley and Tommy Lewis

The Way

Director: Emilio Estevez

Starring: Emilio Estevez, Martin Sheen and Deborah Kara Unger

Love Like Poison

Director: Katell Quillévéré

Starring: Clara Augarde, Lio and Michel Galabru

Amreeka 

Director: Cherien Dabis

Starring: Nisreen Faour, Melkar Muallem and Alia Shawkat

A Screaming Man

Director: Mahamat-Saleh Haroun

Starring: Youssouf Djaoro, Dioucounda Koma and Emile Abossolo M’bo

That’s What I Am

Director: Michael Pavone

Starring: Ed Harris, Molly Parker and Randy Orton

Review: Attack The Block (2011)

Attack The Block is a low-budget British sci-fi blockbuster from writer/producer extraordinaire Joe Cornish, starring a mix of established actors and unknowns engaged in an intense battle for their meagre council estate in South London.

The film begins with young nurse Sam (Jodie Whittaker) being mugged by a horde of teenagers from her South London housing estate, when they are interrupted by something large falling onto a nearby car. The action immediately switches to the youths confronting and killing a vicious, unearthly creature – unknowingly making themselves the target of an invasion of flesh-ripping aliens.

The premise may seem straightforward, but Cornish injects the script with such warmth, humour, action, violence and thrills that it evolves from a low-budget sci-fi film into something much larger. He finds that elusive dynamic that makes an instantly timeless blockbuster, which is as much a nail-biting action-thriller as it is an amusing character study.

The fact that the action remains within the surrounding environment of the titular “block” makes the film feel even more claustrophobic, realistic and altogether climactic. However, by littering the film with witty dialogue, playful characters and a wonderfully fanciful yet astute premise, Attack The Block manages to be hardcore and genuinely frightening, while never taking things too far and losing its earthy charm.

Cornish’s direction complements the confined action superbly. By layering it with throwbacks to 1980’s filmmaking, Cornish keeps the special effects, gimmicks and tricks to a minimum. Instead, he opts for laid back, restrained camera angles, letting the actors, action and scenery spur on events and take centre stage. The similarities to John Carpenter films are uncanny, but Cornish is bold and defiant enough to put his own mark on the creature feature genre.

The alien effects are almost entirely practical, and are exposed magnificently through abrupt snatches of ruthless imagery that’s reminiscent of several cult-classic horror films, including An American Werewolf In London and Ghostbusters. Their rugged design is blazingly original, making them undeniably more figurative than most mega-budget Hollywood beasts. A few subtle CGI enhancements add visceral gloss without ever ruining the authenticity of the aliens and supplementary gang war.

The cast, which is splendidly comprised of three known UK actors – Whittaker, Nick Frost and Luke Treadaway – alongside a smorgasbord of unknown teenagers, are uniformly top-notch. Frost delivers an over-the-top yet wonderfully humorous turn as Ron, Whittaker plays Sam with a captivating naivety and earthiness, and Treadaway brilliantly captures the personality of a posh stoner. Meanwhile, John Boyega stands out from amongst the unknowns, giving a powerful and genuinely unnerving performance as Moses.

The casting itself gives the film an extra layer of realism, as most of the actors were handpicked from council estates and youth clubs around London. Moreover, the willingness to address many current questions about war, racism, and violence in today’s society allows the film to remain level headed and appealing to a wide viewership. It’s unlikely to leave many feeling unimpressed or unaffected.

All in all, Attack The Block is a thoroughly entertaining, truly original, strikingly executed and – in my opinion – instantaneously classic British sci-fi cross-breed. It’s a film that simply cannot be missed.