For decades now, “new queer cinema” (a term first coined in a Sight & Sound article written by B. Ruby Rich, but one with roots that can be traced back even further) has been in existence – a movement whereby the focus of a film, and subsequently the themes in which it explores, challenged both the status quo of heterosexual dominance and shifted focus onto LGBT characters, their relationships and their struggles not only to conform to society, but also to Continue reading “The Renaissance Of Queer Cinema”
Empty Screens 