This animation from the makers of Despicable Me has pep and visual humour to spare, even if the familiar plot isn’t quite up to scratch. Max (Louis C.K.), a faithful canine, is sidelined when his owner brings home an unkempt mutt (Eric Stonestreet). Their reckless attempts to one-up each other soon leave them lost on the streets of New York, hunted by viscious strays. Continue reading “Review: The Secret Life Of Pets (2016)”
Finding Dory, a similar-but-worthy sequel to one of Pixar’s most beloved films, is as entertaining as it is soul-stirring, complete with a stellar voice cast and mesmeric oceanic visuals. One year on from helping reunite Marlin (Albert Brooks) with his son, Dory (Ellen DeGeneres in a role she has made her own) starts to experience moments of her childhood through fragmented flashbacks that send her on an adventure across the seas to California in the hopes of not only finding her parents, but herself too. Continue reading “EIFF 2016 Review: Finding Dory (2016)”
A man’s moral fibre is stretched to the limit in J.C. Chandor’s intoxicating, robust drama A Most Violent Year, which bears similarities to the finest crime thrillers of the 1970s even while inverting them. Abel (Oscar Isaac), a do-right businessman, has hopes of expanding his company, but at a time when corruption and violence are soaring, it proves difficult to do when playing by the book. Continue reading “Review: A Most Violent Year (2014)”
Genre sensibilities are turned inside out with Drive, Danish filmmaker Nicolas Winding Refn’s muted modern-day take on the celebrated neo-noir film.
Hollywood stunt-driver by day, getaway driver-for-hire by night, Ryan Gosling’s unnamed character is shrouded in mystery. He subscribes to a methodical lifestyle, timing everything to perfect precision. When he meets his coy next-door neighbour Irene (Carey Mulligan), he finds himself wrapped up in her husband’s (Oscar Issac) unfortunate – and criminal – predicament. Forced to abandon his scrupulous attitude, he must adopt a much more reckless way of life. Continue reading “Review: Drive (2011)”