2012 Edinburgh International Film Festival Programme Announced

At a low-key press conference at the Edinburgh Filmhouse earlier this morning, newly-appointed artistic director Chris Fujiwara took to the podium to announce the official programme for the Edinburgh International Film Festival 2012, due to take place at venues across Edinburgh including Cineworld, Filmhouse and the Cameo from June 20 – 1 July. The festival, now in its 66th year, will include 121 new features and documentaries from over fifty countries around the world. Continue reading “2012 Edinburgh International Film Festival Programme Announced”

New U.K. Poster For Killer Joe

Entertainment One have released the official U.K. poster for crime-thriller Killer Joe, Empire has unveiled.

Directed by world-renowned and controversial filmmaker William Friedkin, Killer Joe centers on a young man whose life spirals out of control when he hires an unexpectedly charming hit man to kill his own mother for her life Continue reading “New U.K. Poster For Killer Joe”

EIFF 2012: My Fifty Film Wish List

In light of my recent post where I strategically picked out ten films that could be included in this year’s 66th Edinburgh International Film Festival, I’ve expanded it to include another forty films I would like to see hit the cinema screens in Edinburgh between June 20 – July 1.

From Steven Soderbergh’s Magic Mike to Josh Radnor’s Liberal Arts and Stephen Elliot’s Cherry, this list is purely a dream of mine and by no means Continue reading “EIFF 2012: My Fifty Film Wish List”

EIFF 2012: My Ten Picks

Last year’s Edinburgh International Film Festival was, for all intents and purposes, a complete shambles. Festival director James Mullighan was roped in at the last minute when the search to replace Hannah McGill went sour and the festival had a distinct lack of energy compared to previous years. Whether that was down to the poorly run press department, absurd choice of venues or Mullighan himself is anyone’s guess.

This year, however, things seem to be looking up for the world’s oldest continually running film festival. Not to sound too optimistic or anything but, Continue reading “EIFF 2012: My Ten Picks”

Film4’s The Imposter Arrives Amidst A Cloak Of Mystery

Since it premiered at the Sundance Film Festival late last month, it’s been hard to avoid chatter about Film4’s controversial, perceptive and terrifyingly honest new documentary The Imposter.

Saluted by critics as one of the bravest documentaries in years, The Imposter – from the producers behind The September Issue and Client 9: The Rise And Fall Of Eliot Spitzer – centers on a teenager who convinces a Texas family that he is their son who went missing three years ago.

From here, questions are raised, motives are put under scrutiny and the cracks Continue reading “Film4’s The Imposter Arrives Amidst A Cloak Of Mystery”