DVD Releases: May 9, 2011

The King’s Speech

Director: Tom Hooper

Starring: Colin Firth, Helena Bonham Carter and Geoffrey Rush

Blue Valentine

Director: Derek Cianfrance

Starring: Michelle Williams, Ryan Gosling and Faith Wladyka

The Way Back

Director: Peter Weir

Starring: Jim Sturgess, Ed Harris and Colin Farrell

I Saw The Devil

Director: Jee-woon Kim

Starring: Byung-hun Lee, Min-sik Choi and Gook-hwan Jeon


Director: Alejandro González Iñárritu

Starring: Javier Bardem, Maricel Álvarez and Hanaa Bouchaib


Director: Joanna Hogg

Starring: Tom Hiddleston, Christopher Baker and Kate Fahy

Chico & Rita

Director: Tono Errando, Javier Mariscal and Fernando Trueba

Starring: Mario Guerra, Limara Meneses and Eman Xor Oña

Waiting For Superman

Director: Davis Guggenheim

Starring: The Black Family, Geoffrey Canada and The Esparza Family

83rd Academy Awards: Winners

Best Picture

  • The Social Network
  • Winter’s Bone
  • The King’s Speech – WINNER
  • Black Swan
  • The Fighter
  • True Grit
  • Toy Story 3
  • The Kids Are All Right
  • 127 Hours
  • Inception

Best Director

  • Darren Aronofsky (Black Swan)
  • Tom Hooper (The King’s Speech) – WINNER
  • David Fincher (The Social Network)
  • Joel & Ethan Coen (True Grit)
  • David O. Russell (The Fighter)

Best Actor

  • James Franco (127 Hours)
  • Colin Firth (The King’s Speech) – WINNER
  • Jesse Eisenberg (The Social Network)
  • Javier Bardem (Biutiful)
  • Jeff Bridges (True Grit)

Best Actress

  • Natalie Portman (Black Swan) – WINNER
  • Annette Bening (The Kids Are All Right)
  • Jennifer Lawrence (Winter’s Bone)
  • Michelle Williams (Blue Valentine)
  • Nicole Kidman (Rabbit Hole)

Best Supporting Actor

  • John Hawkes (Winter’s Bone)
  • Christian Bale (The Fighter) – WINNER
  • Mark Ruffalo (The Kids Are All Right)
  • Geoffrey Rush (The King’s Speech)
  • Jeremy Renner (The Town)

Best Supporting Actress

  • Hailee Steinfeld (True Grit)
  • Melissa Leo (The Fighter) – WINNER
  • Jacki Weaver (Animal Kingdom)
  • Amy Adams (The Fighter)
  • Helena Bonham Carter (The King’s Speech)

Best Original Screenplay

  • Mike Leigh (Another Year)
  • Lisa Cholodenko & Stuart Blumberg (The Kids Are All Right)
  • David Seidler (The King’s Speech) – WINNER
  • Christopher Nolan (Inception)
  • Scott Silver, Paul Tamasy, Eric Johnson & Keith Dorrington (The Fighter)

Best Adapted Screenplay

  • Aaron Sorkin (The Social Network) – WINNER
  • Danny Boyle & Simon Beaufoy (127 Hours)
  • Michael Arndt, John Lasseter, Andrew Stanton & Lee Unkrich (Toy Story 3)
  • Joel Coen & Ethan Coen (True Grit)
  • Debra Granik & Anne Rosellin (Winter’s Bone)

Best Animated Film

  • The Illusionist
  • Toy Story 3 – WINNER
  • How To Train Your Dragon

Best Foreign Language Film

  • Dogtooth
  • In A Better World – WINNER
  • Biutiful
  • Incendies
  • Outside The Law

Best Documentary

  • Inside Job – WINNER
  • Exit Through The Gift Shop
  • GasLand
  • Restrepo
  • Waste Land

Best Art Direction

  • Inception
  • Alice In Wonderland – WINNER
  • The King’s Speech
  • Harry Potter And The Deathly Hallows: Part 1
  • True Grit

Best Cinematography

  • Black Swan
  • The Social Network
  • Inception – WINNER
  • True Grit
  • The King’s Speech

Best Visual Effects

  • Hereafter
  • Harry Potter And The Deathly Hallows: Part 1
  • Iron Man 2
  • Inception – WINNER
  • Alice In Wonderland

Best Costume Design

  • I Am Love
  • Alice In Wonderland – WINNER
  • The King’s Speech
  • True Grit
  • The Tempest

Best Editing

  • The Fighter
  • Black Swan
  • The Social Network – WINNER
  • 127 Hours
  • The King’s Speech

Best Makeup

  • The Wolfman – WINNER
  • Barney’s Version
  • The Way Back

Best Short Film (Live Action)

  • Na Wewe
  • The Confession
  • Wish 143
  • The Crush
  • God Of Love – WINNER

Best Short Film (Animated)

  • Let’s Pollute
  • The Gruffalo
  • Day & Night
  • The Lost Thing – WINNER
  • Madagascar, A Journey Diary

Best Short Film (Documentary)

  • Killing In The Name
  • Poster Girl
  • Strangers No More – WINNER
  • Sun Come Up
  • The Warriors Of Quigang

Best Original Score

  • How To Train Your Dragon (John Powell)
  • Inception (Hans Zimmer)
  • The King’s Speech (Alexandre Desplat)
  • 127 Hours (A.R. Rahman)
  • The Social Network (Trent Reznor & Atticus Ross) – WINNER

Best Original Song

  • Coming Home (Country Strong)
  • I See The Light (Tangled)
  • If I Rise (127 Hours)
  • We Belong Together (Toy Story 3) – WINNER

Best Sound Mixing

  • Inception – WINNER
  • Salt
  • The Social Network
  • True Grit
  • The King’s Speech

Best Sound Editing

  • Toy Story 3
  • Inception – WINNER
  • True Grit
  • Unstoppable
  • Tron: Legacy

UK Box Office: December 31, 2010 – January 2, 2011

1. Gulliver’s Travels – £7,028,747

2. Little Fockers – £2,614,802

3. Love & Other Drugs – £1,606,253

4. The Way Back, £1,327,650

5. The Chronicles Of Narnia: The Voyage Of The Dawn Treader – £1,207,264

6. Tron: Legacy – £1,059,569

7. Harry Potter And The Deathly Hallows: Part 1 – £1,040,826

8. Megamind – £612,327

9. The Tourist – £396,758

10. Animals United – £243,442

Review: The Way Back (2010)

Peter Weir’s latest is a long-gestating film adaptation of Slavomir Rawicz’s The Long Walk: The True Story Of A Trek To Freedom.

The film centres a Polish lieutenant (Jim Sturgess) tortured by the Russian secret police and sent to a Siberian gulag on trumped-up charges who, along with several other falsely incarcerated men, travels 4,000 by foot to freedom.

Weir’s adaptation is a captivating film, using a tale of survival to explore deep, meaningful themes of existence and morality.

The cinematic vision compliments these moral explorations, the rough terrain symbolising the harshness of human existence and the trials we must face throughout our lives.

Sturgess proves his worth as the Polish leader, while Ed Harris and Colin Farrell each provide canny turns as criminals seeking redemption and worthwhile meaning.

Saoirse Ronan, in a walk-on part as 14-year-old Polish girl , who brings out the compassionate side of each character before succumbing to the torturous landscapes.

The main downfall is the distance kept between viewer and character. We are kept at arms length throughout the film, preventing one from becoming entirely engaged and emotionally involved with the hardship unravelling on screen.

The Way Back is a riveting and visually beautiful film that makes you question your own morality, but it’s overly long running time and poor character development results in it failing to achieve it’s full potential.