2013 In Review: Top Ten Films

Gravity

2013 was a fantastic year for film. It’s as simple as that. Technological boundaries were broken, Disney made a triumphant comeback with not one but two wonderful animated releases, Noah Baumbach proved what could happen when you make a film on a shoestring budget and in black-and-white, and Steven Soderbergh bid a fond farewell to the cinematic world with the fantastic one-two punch of pharmaceutical drama Side Effects and outlandish Liberace biopic Behind The Candelabra. Continue reading “2013 In Review: Top Ten Films”

Advertisements

2013 In Film: A Summary

Frances Ha

2013 has brought with it a lot of things, both good and bad. But in this particular post I’ll be focusing on the film-related highlights that I’ve experienced over the past twelve months, from a mini adventure in London that included my first ever podcast appearance to a wine-soaked preview screening of Gravity at the newly converted IMAX cinema in Glasgow. I’ve interviewed idols, attended film festivals, and even walked a red carpet. Continue reading “2013 In Film: A Summary”

EIFF 2013 Review: Stories We Tell (2012)

Stories We Tell

Actress-turned-director Sarah Polley turns her attention away from death and adultery as surveyed through her previous two narrative features Away From Her and Take This Waltz and onto her family history with unconventional documentary Stories We Tell. Using her talent as both a filmmaker and as a storyteller to tell her family’s story may seem self-indulgent and unnecessary to be aired in public, yet the warmth in which Polley infuses into the film ensures it carries with it a more deeper, universal value. Continue reading “EIFF 2013 Review: Stories We Tell (2012)”

Anticipating The 67th Edinburgh International Film Festival Line-Up Announcement

250120-edinburgh-film-festival-launches-65th-programme-410x230

With the full line-up announcement only a day away, it’s hard not to speculate what films are likely to unspool at the 67th Edinburgh International Film Festival next month. In previous years, we’ve been way off mark, choosing bigger films over the usual smaller ones Edinburgh likes to promote. However, with the welcome regeneration the festival experienced last year, it’s only natural to feel optimistic about what might be on offer this year, and the revelations so far have only propelled this. Continue reading “Anticipating The 67th Edinburgh International Film Festival Line-Up Announcement”